Kind blog reader Lynn sent me some more pictures of Irene Soper's house, taken from a different perspective.
You can see Irene Soper's house and Rose Cottage in the distance.
Kind blog reader Lynn sent me some more pictures of Irene Soper's house, taken from a different perspective.
You can see Irene Soper's house and Rose Cottage in the distance.
I came across an article on this book and thought I would treat myself to it, and I agree with Chloe Dalton and Sebastian Faulks: it is a gem.
With Anuradha we wander the paths around Ranikhet. Carefully, because leopards are a real danger. We meet her neighbours and get to know the dogs that they had no intention of keeping but who just arrived and stayed.
We follow her struggles to make a garden, not easy with the dogs running loose, but somehow she succeeds. And we share her sadness at the changes (the building of reservoirs, fierce monsoons owing to climate change) that mean the disappearance of animals.
Anurasha is a great storyteller and a wonderful artist, as the illustrations show. A lovely book.
I end with a confession. When I bought this book I vaguely thought: 'I thought her name was spelled with a 't', I must have misread it all this time'. A few weeks ago I ordered 'Mother Mary comes to me', by, I thought, the same author. It was not until I started reading it and saw the two books side by side that the penny dropped. I cannot be the only one making this mistake as Anuradha Roy's Wikipedia page starts with: 'Not to be confused with Arundathi Roy'....
(By the way, 'Mother Mary comes to me' is great. I am making myself read slowly, as I tend to rush and that would not do justice to this book)
Many years ago I heard a talk on BBC radio on Susanna Moodie and Catherine Parr Trail. On a subsequent visit to London I bought this book which then languished on my bookshelves until a few weeks ago. More or less stuck in the house with all the snow and ice outside, I decided to clean my bookcase, and so I came across this biography. Time for a read!
Stuck in rural rural isolation and genteel poverty sisters Susanna and Catherine and their husbands emigrated to Canada in the 1830's. They were leaving 'comfortable, if threadbare, lives and promising literary careers' and ended up in 'raw Upper Canada, not pastoral England'. Suddenly they had to face the rigours of pioneer life.
As a journalist wrote at the time: 'These delicately nurtured ladies, who had been familiar with the best of London literary society had arrived in the waste howling wilderness and slaved as no servant girl slaves in England.' This much to the mortification of their English sisters who did not relish any references to the circumstances of their Canadian relations. Imagine: living in only a wooden house ...'
Susanna and Catherine (like three of their sisters) were published authors in England; writing came naturally to them and was also a way of making money. They wrote books on life 'in the Bush' and on Canadian plants. They are now regarded as icons of the Canadian literary landscape.
I am a quick reader but this book made me slow down because there is so much to take in. There is the story of the two sisters and their families, but Charlotte Gray provides a lot of context too, which makes for a very interesting read. Recommended!
'My family tree having numerous farmers on almost all its many twigs and branches, it was natural that a deep love of the land should run strongly in my veins. I could never quite accept the possibility of a future spent in a genteel suburb, sipping coffee in the mornings and playing vixenish contract bridge in the afternoons.
My parents are not farmers, on the contrary, though very fond of the countryside, neither has ever shown any interest whatever in farming. My mother has a very real aversion to it, though born and reared ons a well-managed and prosperous farm.
John can also number among his antecedents several land-owning country squires, so it was natural that we should accept as a matter of course the possibility of our taking a farm when we married.'
So begins Mary's story of the first three years on a small hill-country farm, Hollybank, on which she and John keep chickens, pigs and cattle. The farm is described as being on the Derbyshire / Cheshire border, with no further details as to its location.
It is a straightforward story, but it has a few quirks.
The whole book consists of a description of their experiences buying, keeping, transporting and selling poultry, pigs and cattle. I must admit I was getting a little bored when I suddenly came upon the most intriguing list. Mary is telling us how housework has never been a pleasure to her: 'that evident satisfaction which some women derive from sweeping, polishing and furbishing is something I cannot understand.' John is as desinterested in their house as she is. 'As things are, it would appear to be a race for which of us can make the biggest mess in the shortest time. We are both "putters down" of stuff "just for now". That might be for anything up to three years. At one time, on our kitchen cupboard, I listed the following:'
One thing is certain: Mary would drive me crazy, but I do like that list! I was hoping for more of this, but alas, Mary only has eyes for her calves and pigs. These all have names, and she goes into great detail of how they come to choose them.
A few chapters later Mary is pregnant and has a son. Yes, she tells us about the birth, the problems she has with breast feeding and how she introduces her son to the animals. Does the son have a name? We don't know. A typical sentence goes:
'We returned home from the christening ceremony to find that my lovely Topsy had calved ...'
About two years ago blog reader Lynn sent me some photo's of Irene Soper's former home. At the time the property had been recently sold and a planning application for building work could be seen.
Recently I wondered what the situation would be like now, so Lynn kindly offered to take some pictures again.
I was very interested and intrigued to find that, while Rose Cottage seems to have been restored, the Well House (as far as I can tell from the photo) seems to be untouched and unoccupied. I wonder why that might be?
Lynn also took some photo's of the surroundings, explaining that both dwellings overlook the lovely New Forest countryside. The next image was taken when walking just a few steps down the lane from the cottage looking towards Hampton Ridge, which is also shown in the third, more close-up photo.
She also made photo's of the old well, just a few steps down from The Well House, on the opposite side of the lane. As you can see from the middle image, the well was first recorded in 1215. It has one well opening for humans and one for animals. The open side of the well is likely still regularly used by the commoners' animals that freely roam, i.e. the cattle, ponies, donkeys etc.
Thank you Lynn, and if anybody has further information regarding both Rose Cottage and Well House I would love to hear from you!
I know many of you are interested in Irene Soper, so I was very grateful to receive information from one of her cousins. She told me she owned some of Irene's and Arthur's paintings. Here they are:
She also told me that Irene, who sadly passed away a few years ago, self-published a book in 2000, called In Grandfather's Footsteps.
People looking for informaton on Irene and Fordingbridge (where she lived) can also try the local Facebook group
All my other posts on Irene can be found here
My thanks again to Irene's cousin!
This is Kristin Kimball's second book. In her first, The Dirty Life, she describes meeting her partner, Mark, and moving to the small village of Essex NY where they start a new farm. This book is about life on Essex farm. Kristin and Mark run it with a mixed bag of helpers.
I have often wondered, when reading books for this blog, how hard life must have been for some of the authors. While the writers may mention setbacks they rarely talk about how hard it really gets, how they suffer mentally or if they are on the verge of giving up.
Kristin Kimball does write about this and that makes a refreshing change. This is the story of the farm, the village, the workers, the cattle, the produce, the horses, the house but most of all of her and her husband and children. After a 100 pages I was beginning to think: how does she cope, why does she stay with this impossible man, who is obsessed with farming, does not care that the house they live in is in a terrible state (the access to the staircase to the bedrooms is outside), does not care they have no privacy and loves dangerous sports (He tells her: 'Worry is your choice').
By this time they have two children and, while combining working on the farm with looking after a baby was doable, 'A toddler plus an infant equaled one full-time job, and instead of splitting it between us or even discussing it much, we seemed to assume that job was mine.'
When helpers don't show up she still has to pitch in and the cold and sleep deprivation get to her.
'This was not at all what I had pictured, way back at the beginning, when I imagined raising children at the farm. (...) The winter weeks wore on. Milking was a liberation from the house, but it added to my exhaustion. On nights when Miranda didn't sleep well, it felt nearly impossible to get out of bed at four-thirty and continue all day. The house, meanwhile, seemed to be closing in on us, filling with visiting young farmers interested in our horses and our full-diet model. Mark loved company, new opinions and the constant underlying hum of youth and action, which fueled our winter work. To me, the house felt increasingly crowded and dirty, and there was way too much noise for a family with an infant.'
She decides to get all of the helpers (who, while living elsewhere, had been spending their time and eating in the house) out, and relocate the office to an old trailer.
'The house was so quiet without the farmers in it. I took all the extra leaves out of the dining table (...) We would set a place for Mark, but most days, he didn't have time to come in. As winter faded, the separation increased.'
'As the baby howled and the rain fell, I looked at the cards on the table and thought: Sometimes the hardest hand to play is the one you dealt yourself.'
She is saved by wise friends ('He is so extreme, I complained. Yeah, you would never be happy with a normal person') and the marriage is saved by a therapist. Slowly she and Mark find a way to be together again.
Meanwhile there are droughts and, in another year, endless rain, when it seems the crops will drown. There is also is the completely unexpected kindness of a stranger who donates money which they use to install drainage in their fields. In the final chapter walls are torn down, new windows fitted, the rooms re-designed so that at last they don't have to go outside to go to bed.
Of course this book also tells the fascinating story of a small farm in the 21st century (especially interesting for those interested in working with horses) but I felt that it is in the personal story that this book really stands out. Highly recommended!
Kristins website can be found here and her farm's website is here
Here is a map with North American authors. It includes Kristin Kimball, whose book Good Husbandry I am reading right now.
Some reviews just write themselves, some are a bit harder and some ...
When you don't much like a book and reading it is a struggle, well, what can you say about it.
I can't rememember struggling like this with a book since reading Copsford.
Read the reviews on Caught by the River , Senior Reader and Resolute Reader to get an idea of the book.
Thomas takes us through the farming year at a great pace. If you like to read about keeping sheep in the hills this is the book for you. If however, like me, you enjoy reading about how people learn to run a farm, how they adapt,
make mistakes, get to know their neighbours and about their domestic
life: there is not much of that here.
I have been struggling to write about this book, but I admit defeat!
Mike Howe writes about managing Dyffryn farm today. The land and cottage are now owned by the National Trust and you can go and stay there.
Here is an updated map of authors covered in this blog, living in the UK and Ireland. I have included Thomas Firbank, whose book I am rereading at the moment.
Next time I will have to make a separate map for Wales as it is getting very crowded there!
Once again all locations are approximate. I am working on a map with American and Canadian authors.
One of the joys of visiting second hand bookshops is finding books you did not know existed. This was such a discovery (at Barter Books in Alnwick).
It is the story of Carol and her husband John who, in their fifties, move to Weardale (county Durham). Carol has lived here before and she has always longed to return. On seeing Hill House West she immediately knows this is where she wants to live. She and John decide to go for it, though the house and outbuildings need a lot of work. Their ultimate aim is to start a B&B.
When they first move in there is no heat or hot water, but they manage to get things fixed just before Christmas.
Although they know they will always be 'Incomers' they soon make friends, especially with Ian, a farmer neighbour who becomes a regular visitor and helps them on many occasions. John, in turn, becomes a regular helper on Ian's farm. 'The relationship was completely symbiotic; Ian gave John every bit as much help as John gave him. Anything that needed moving, fetching or digging and he would be there.'
'That first winter was long, cold and hard.' Carol works as a teacher in Durham. Often she arrives 'attired more like an arctic explorer than a teacher into a city that was barely scattered with a handful of snowflakes.'
Slowly they start work on the house, installing a multifuel stove and French windows, building wardrobes and repairing floors.
They get some chickens and offer the field they rent to Ian, to keep his sheep. Having had "midwife lessons" from Ian's wife Lynne (helping with lambing) Carol is offered a sheep of her own, which she calls Crumpet.
It takes four years before they feel they can welcome guests to Hill House East. Because they worry they might not like the reality of sharing their home with guests they first have a trial period with people staying for free. 'To our joy, and great relief, it worked wonderfully and we really enjoyed doing it. Weekday visitors were catered for largely by John, as I was up and off to school by 7.15 a.m. At weekends we worked together.'
When guests are there they have their own private 'bed-sitting room' in the conservatory. The glass roof enables them to gaze up at the night sky 'in all its star filled glory'
But before they become a 'real' B&B they first host the wedding of Carol's daughter Megan.
The book contains plenty of anecdotes about animals and people (B&B guests). Some of the guests become firm friends, like the Adams family from Oregon. Other guests are 'ancestor hunters' from the U.S., Canada, Australia or New Zealand. This leads to Carol finding out more about the history of the hills and valleys of Weardale, at one time a centre of lead mining. After a boom time mines closed in the late 19th century, causing many people to leave. Some of Carol's guests even turn out to be related to people who lived in Hill House East.
Life goes on: Carol becomes a grandmother and her mother dies. After working part time for some years she decides to retire from her teaching job.
After sixteen years she and John decide to stop running the B&B. The book ends with them, being determined to have no more pets, 'being adopted' by a tiny abandoned kitten. They call her Fudge and thank her for coming into their lives and keeping them young at heart a little while longer.
This a happy and well written book. Carol has written a 'companion’ volume with further tales about her life in Weardale, her family, animals and friends: A Shoulder to Lean on (2022)
Years ago, when I would go on a cycling trip, I would spend hours trying to decide which books to take. Now I just pack my e-reader, a godsend for cyclists!
Among the books I bought this time was Anne Hall's Four French Holidays, which I chose mainly because it includes a chapter on The Greengage Summer by Rumer Godden. A favourite book and one of the reasons I once cycled through Northern France, looking for, and not finding, its location in Epernay. It was only when I returned that I discovered I had been looking in the wrong place, I should have gone to Chateau Thierry.
My family used to spend summer holidays on the island of Ameland and I would get some extra pocket money to buy a book in the local shop. This is when I bought De zomer van de reine claudes, the Dutch translation.
I loved the story and the magical atmosphere of the book and went on to read most of Rumer Godden's books in English.
Anne Hall's book starts with an introduction by Hugh Schofield who shares her fascination with Rumer Godden. Hugh Schofield wrote this article on his search for Rumer Godden's 'famed French Summer'.
This really gives you all the information you could want, including a map.
What could Anne Hall add to this? As it turns out: not much and too much. For a start, she does not include most of the facts covered by Hugh S. in his article. So hardly any information on landmarks in the book. What she does do is give a summary of the story, thereby spoiling it for anybody who still wants to read it. She also gives us every detail she has found out about the lives of two people Rumer G. based her characters on: the hotel owner, and a mysterious Englishman staying in the hotel. Anne Hall may be good at research, but she cannot tell a story (I kept loosing the thread because of all the (grand)parents, wives and husbands she mentions).
I tried reading the other chapters on Margery Sharp, Stella Gibbons and Daphne du Maurier, but gave up. Not recommended!
Last Friday we took a cycling trip to Delft; a lovely trip along a canal. Along the way we stopped at the Kringloopwinkel (a giant charity shop or thriftshop) which usually has a good selection of English language books, thanks to the technical University and its many foreign students and teachers.
One of the books I picked up this time was a Little Toller edition of The Fat of the Land by John Seymour.
I already own a copy but this was worth it (at only E 2,50) for the cover alone, plus a very interesting introduction by John's daughter Anne.